All of this is the free layer: instant, reversible, no credits, no upload.
Arranging
Trim from either end, split at the playhead, slip what’s inside a clip, drag to reorder. Ripple delete closes the gap behind a removed clip; clone duplicates one in place.
Cutting to the beat
Once a music track is on the timeline, its beat grid is live in the editor — clips snap to beats as you trim and move them. The grid comes from on-device analysis, so it’s there whether the track was imported, extracted, or produced by Cuts. More in Music.
Speed
Each clip has a speed control — slow a moment down or push through the boring part. For motion-aware slow motion — real frames, not a stretched clip — see Polish.
Looks
A project-wide look sets the color mood: warm, cool, film, mono, vivid. Clip-level filter effects are there too. One look for the whole piece beats five per clip — but that’s your call.
On every clip
Every clip has its own volume and mute, its own size and position on the canvas, and a Denoise toggle for cleaning up noisy audio — see Speech & captions.
Text and stickers
Text cards come in two kinds: plain, and animated motion titles. Stickers go anywhere. Captions — the word-timed kind — are their own thing; see Speech & captions.